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Humbert lists the many different names of his love: Dolores, Lo, Dolly, Lolita.

He admits to being a murderer and states that he will present his case to the readers, whom he calls “his jury.” Humbert explains that Lolita was not the first girl-child in his life and refers to a particular girl he calls “exhibit number one.” Humbert begins his story from his birth in Paris and his childhood on the Riviera, where a frequently absent father and a kind, yet strict aunt raise him.

He mourns the fact that he was never able to complete the sexual act with Annabel and describes one encounter in the mimosa grove where they came very close.

He tells the reader that he was only able to break free of Annabel’s spell when he met Lolita, more than twenty years later.

The first chapter combines both elements that Ray commented upon: unrepentant lust for a girl-child and the elegant language of a man who is determined to tell the story from his own point of view.

This emphasis on language sets most of Nabokov’s work apart from other novels of its time.

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Not only was James Mason appallingly miscast in the role of Humbert, but Peter Sellers’s comic portrayal of the pornographer Clare Quilty derails the essential dark tone and mixed rhythms of Nabokov’s romantically twisted drama.Humbert wonders if his predilection for young girls began with Annabel and claims that she and Lolita are somehow connected.He claims that his brief encounter with Annabel had physical and spiritual components that today’s children would never understand.Humbert states that he doesn’t have as clear a picture of Annabel as he does of Lolita, though he lyrically recounts their awkward, fumbling attempts at sex.Annabel and Humbert never manage to consummate their love, and four months later she dies of typhus in Corfu.

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